Exhibition
in New York, NY / United States
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- Paul Laffoley: Alchemy: The Telenomic Process of the Universe, 1973, Oil, acrylic, ink, and vinyl press type on canvas 73 1/2 x 73 1/2 in., 186.7 x 186.7 cm
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- Shannon Ebner: Electric Comma Three, 2013, Archival pigment print, 43 x 60 in., 109.2 x 152.4 cm
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- Michael Portnoy: Kalochrome 1A, 2014, Screen print on canvas 49 1/2 x 44 in., 125.7 x 111.8 cm
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- Nongirrnga Marawili: Baratjula, 2014, Paint on board, each: 94 7/16 x 47 3/16 in., 240 x 120 cm
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- Josh Kline: ThinkStrong (detail), 2013, Blood doped with Welbutrin, cast-urethane, refrigeration elements, lightbox pedestal (fluorescent lights, wood, Plexiglas) 47 1/2 x 14 1/4 x 11 1/2 in., 120.7 x 36.2 x 29.2 cm, Courtesy of 47 Canal
Doug Ashford, Shannon Ebner, Iman Issa, Josh Kline, KRIWET, Paul Laffoley, Margaret Lee, Nonggirrnga Marawili, Lee Mullican, Brenna Murphy, Michael Portnoy, Michael Riedel, Gabriel Sierra, Roman Štětina
James Cohan Gallery is pleased to present a group exhibition curated by Tina Kukielski entitled “All Watched Over”.
Richard Brautigan’s poem “All Watched Over by Machines of Loving Grace“, written in 1967 while he was poet-in-residence at the California Institute of Technology, anticipates an ecosystem where animal, human, and machine live in harmony with nature. Freed from the constraints of labor and balanced by cybernetic feedback mechanisms that regulate and sustain life, the humans in Brautigan’s short poem flourish in a naturalistic techno-utopia. Years later, acclaimed documentary journalist Adam Curtis appropriated Brautigan’s title when he aired a BBC television series under the same name in 2011. From the standpoint of the recent past, Curtis’s wide-reaching documentary analyses the vicissitudes of the postmodern techno-utopia Brautigan alludes to in his poem. In his signature style, Curtis argues that computers have failed to be the great liberators they were once purported to be.
With the promise of a cybernetic techno-utopia as its backdrop, this exhibition brings together a group of artists who apply systems to and in their work. Across a diversity of practices and cultures, the dominant theme in “All Watched Over” is art in the form of information processing and its diagramming. Set against today’s data-processed landscape, the artworks in “All Watched Over” transform data into hidden messages, unifying theories, complex diagrams, and personal or cultural cosmologies. As such, subjects of encoding and encryption percolate in a number of works on view; they manifest as algorithmic or systemic codes on the one hand, and through abstraction and the optical experience of language on the other.
Tina Kukielski is an independent curator and writer based in New York. Her recent projects include co-curating the acclaimed international exhibition the 2013 Carnegie International; Antoine Catala: Distant Feel (both at the Carnegie Museum of Art, Pittsburgh); Ugo Mulas: A Sensitive Surface (Lia Rumma, Milan and Naples); and editor of the recent collaborative monograph of Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian (Kunsthalle Zürich/Mousse). Kukielski held a curatorial position at the Whitney Museum of American Art from 2002-2010 where she organized solo museum exhibitions with artists Sadie Benning, Corin Hewitt, Omer Fast, Taryn Simon, and Sara VanDerBeek and wrote about the work of Gordon Matta-Clark and William Eggleston among others. Kukielski is also a contributor to Artforum, Mousse Contemporary Art Magazine and The Exhibitionist.
Gallery hours Mon-Fri 10 am – 6 pm (Summer hours)
Location:
James Cohan Gallery
533 West 26th Street
10001 New York, NY
United States
