Exhibition
in Tokyo / Japan
- Yui Samejima: Ritual Room (Pretend to Be Happy), 2024, oil on canvas, acrylic, panel, 229 × 150 × 4cm, 229 × 100 × 4 cm, 46 × 64 × 4 cm (set of 3 paintings)
Maho Kubota Gallery is pleased to present the first major solo show by Kyoto-based artist Yui Samejima. The exhibition will feature fourteen newly created paintings of varying dimensions.
Samejima’s paintings are often created using shaped canvases — supports that deviate from the conventional rectangular format. In her work, there appears to be a deliberate refusal to allow the viewer to identify individual motifs as discrete elements. What emerges on the surface are objects that resemble ritual implements or symbolic artifacts, as well as traces suggesting past human engagement with them. Yet, these images do not function as “subjects” in the traditional sense of representational painting. Rather, they seem to form a loosely connected visual language that links the works together in a more abstract way. Samejima’s use of color also adheres to a distinctive logic. While black forms the foundation of her palette, she skillfully navigates the realm of in-between hues — those that oscillate between harmony and discord. This chromatic sensibility seems to follow the internal rules of a solemn and tranquil kingdom that she herself has constructed.
Samejima reflects on her practice in the following words: “Human beings are unable to see the entirety of the world directly. Instead, we each construct a subjective version of reality based on fragmented information received through the five senses. Just as the Cubists once deconstructed their subjects and reassembled them on canvas to propose a new perspective, I am interested in how painting — as a visual art form — can gesture toward what lies beyond those fragments, toward what remains unseen, especially in our current era, when the very modes of perception and sensory frameworks are in flux.”
In fact, when facing her paintings, it is clear that each work does not stand alone, but rather, together they form a single vast kingdom or a grand narrative. This evokes the sense of a hidden structure and energy that extends far beyond the visible, much like the view of the landscape from an airplane or the archipelago scattered across the sea.
Samejima’s paintings may begin with a quiet renunciation of knowing. Even if we attempt to piece together fragments and make partial sense of them, it is fundamentally impossible to grasp the entirety of the world that lies beyond. Her work suggests that by accepting this impossibility, we may begin to perceive a landscape that emerges beyond the bounds of understanding. In a world where once-cherished ideals have crumbled and conflicts erupt across the globe, Samejima’s paintings awaken within us the power to imagine what cannot be seen. Yet, what she seeks to depict is not a perfect or complete world. Rather, it may be the countless, answerless threads of reality — each one surfacing uniquely within the perception of the individual viewer.
Gallery hours Tue-Sat 12:00 – 19:00
closed Sun, Mon and National Holidays
Exhibition Duration 15.05. – 14.06.2025
Location:
Maho Kubota Gallery
2-4-7 Jingumae Shibuya-ku
150-0001 Tokyo
Japan